Winter Fruit: English Drama, 1642-1660University Press of Kentucky, 2014 M10 17 - 472 pages Probably the most blighted period in the history of English drama was the time of the Civil Wars, Commonwealth, and Protectorate. With the theaters closed, the country at war, the throne in fatal decline, and the powers of Parliament and Cromwell growing greater, the received wisdom has been that drama in England largely withered and died. Throughout the official hiatus in playing, he shows, dramas continued to be composed, translated, transmuted, published, bought, read, and even covertly acted. Furthermore, the tendency of drama to become interestingly topical and political grew more pronounced. In illuminating one of the least understood periods in English literary history, Randall's study not only encompasses a large amount of dramatic and historical material but also takes into account much of the scholarship published in recent decades. Winter Fruit is a major interpretive work in literary and social history. |
From inside the book
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... Reader, that Hee will value these, noe other then as the writer gives them Leaves, and perhaps Budds of a tree, which ... readers might like to know, however, that with regard to both chronological subject 'Earl Miner, who makes much of ...
... reader of the present book has told me that it manifests an inclination toward royalism, and another that it reveals my whiggism, perhaps I should take this opportunity to state that I hold no brief for either (or any) side engaged in ...
... reader. In the words of Antonio Hurtado de Mendoza—a seventeenth-century Spanish dramatist noted herein—everyone's writing tends to reveal Cada /oco con su fema. “What is truth?” said jesting Pilate. It is chastening to remember that ...
... readers, and sometimes audiences with many forms of expression, whether for persuasion or pleasure or both. The very recurrence of prohibitions against playing attests to the persisting life of drama. Historically, one of the signs that ...
... Readers of this book are likely to remember that Milton's typical thoughtful man fancies old romances “Where more is meant then meets the ear” (“Il Penseroso,” l. 120), and various scholars have shown that this insight may be applied ...
Contents
1 | |
16 | |
37 | |
51 | |
66 | |
6 The Famous Tragedy of Charles I | 95 |
7 AngloTyrannus | 117 |
8 Shows Motions and Drolls | 140 |
12 Fruits of Seasons Gone | 229 |
13 Tragedies | 248 |
14 Comedies | 275 |
15 The Cavendish Phenomenon | 313 |
16 Tragicomedies | 337 |
17 The Rising Sun | 368 |
Appendixes | 381 |
Works Cited | 391 |
9 Mungrell Masques and Their Kin | 157 |
10 The Persistence of Pastoral | 184 |
11 The Craft of Translation | 208 |
Index | 421 |