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During the festival, and so long as the Salii continued to carry the ancilia, no expedition could be undertaken. It was thought ominous to solemnize marriages at that time, or to engage in any undertaking of great importance.1.

When war was declared, the ancilia were purposely shaken in their sacred depository. But it is alleged that, towards the close of the Cimbric war, they rattled of their own accord."

ÁN'CORA (йуκvρa), an anchor.

The anchor used by the ancients was, for the most part, made of iron, and its form, as may be seen from the annexed figure, taken from a coin, resembled that of the modern anchor. The shape of the two extremities illustrates the unco morsu and dente tenaci of Virgil. Indeed, the Greek and Latin names themselves express this essential property of the anchor, being allied to ȧykúλos, ȧykúv, angulus, uncus, &c.

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1. (Ovid, Fast., iii., 393.)-2. (Serv. in En., vii., 603; viii., 3.)-3. (Jul. Obsequens, De Prodig.-Liv., Epit., 68.)-4. (En., i., 169; vi., 3.)-5. (Heb., vi., 19.)—6. (Æn., vi., 3-5.)-7. (Ea., ii., 277; vi., 901.)

The prow being turned towards the deep sea (pelago) and the stern towards the land, the latter extremity is fixed upon the shore (stat litore), so that the collected ships, with their aplustria, adorn it, as it were, with a fringe or border (pratexta). The prow remains in the deeper water, and therefore the anchor is thrown out to attach it to the ground (fundare).

When a ship was driving before the wind, and in danger of foundering upon shoals, its course would be checked by casting anchor from the stern. This was done when Paul was shipwrecked at Melite.1 Four anchors were dropped on that occasion. Athenæus mentions a ship which had eight iron anchors. The largest and strongest anchor, the "last hope" of the ship, was called iɛpú: and, as it was only used in the extremity of danger, the phrase sacram ancoram solvere" was applied to all persons similarly circumstanced.

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To indicate the place where the anchor lay, a bundle of cork floated over it, on the surface of the water, being attached, probably, to the ring which, in the preceding figure, is seen fixed to the bottom of the shank; and we may conjecture that the rope tied to that ring was also used in drawing the fluke out of the ground previously to weighing anchor.

In the heroic times of Greece, it appears that anchors were not yet invented: large stones, called evvai (sleepers), were used in their stead. Even in later times, bags of sand, and baskets filled with stones, were used in cases of necessity. According to Pliny, the anchor was first invented by Eupalamus, and afterward improved by Anacharsis.

*ANDRAPHAXYS (ἀνδράφαξυς οι ἀτράφαξυς), an herb, the same with our Atriplex hortensis, according to Sprengel, Stackhouse, and Dierbach, who agree in this with the earlier commentators. All the ancient authorities, from Dioscorides to Macer, give it the character of an excellent potherb. It is still cultivated in some gardens as a culinary herb; its English name is Orach.

*ANDRACH NE, Purslane, or Portulaca oleraca, L.

ΑΝΔΡΑΠΟΔΙΣΕΩΣ

ΑΝΔΡΑΠΟΔΙΣΜΟΥ or ΓΡΑΦΉ (ἀνδραποδισμοῦ οἱ ἀνδραποδίσεως γραφή) was an action brought before the court of the eleven (oi vdeka), against all persons who carried off slaves from their masters, or reduced free men to a state of slavery. The grammarians mention an oration of Antiphon on this subject, which has not come down to us."

ΑΝΔΡΑΠΟΔΩΝ ΔΙΚΗ (ἀνδραπόδων δίκη) was the peculiar title of the diadikaria when a property in slaves was the subject of contending claims. The cause belonged to the class of δίκαι πρός τινα, and was one of the private suits that came under the jurisdiction of the thesmothetæ. It is recorded to have been the subject of a lost speech of Dinarchus,' and is clearly referred to in one still extant of Demosthenes.10

ANDREIA. (Vid. SYSSITIA.)

*ANDRO'DAMAS, one of Pliny's varieties of hæmatite. (Vid. AJMÁTITHE.) It was of a black colour, of remarkable weight and hardness, and attracted silver, copper, and iron. When divested of its fabulous properties, it appears to have been magnetic oxide of iron."

ANDROGEO'NIA ('Avdpoyɛúvia), a festival with games, held every year in the Ceramicus at Athens, in honour of the hero Androgeus, son of Minos, who had overcome all his adversaries in the festive

1. (Acts, xxvii., 29.)-2. (Athenæus, v., 43.)-3. (Paus., vini., 12.-Plin., H. N., xvi., 8.)-4. (See II., i., 436; xiv., 77.-Od., ix., 137; xv., 498.-Apollon. Rhod., i., 1277.)-5. (vii., 57.)-6. (Dioscor., ii., 145.-Theophrast., H. P., i., 18.-Adams, Append., s. v.)-7. (Theophrast., H. P., i., 15; iii., 4, &c.-Dioscor., ., 150.)-8. (Bekker, Anecdot. Gr., i., 352.)-9. (Pro Lysiclide.)-10. (c. Aphob., i., 821, 1. 7.)-11. (Moore's Anc. Mineral., p. 131.)

ANETHUM.

games of the Panathenæa, and was afterward killed by order of Ægeus. According to Hesychius, the hero also bore the name of Eurygyes (the possessor of extensive lands), and under this title games were celebrated in his honour, ὁ ἐπ' Εὐρυγύῃ ἀγών. ANDROLEPSIA or ANDROLEPSION (ȧvdpompia or avôpoλýpɩov), the right of reprisals, a custom recognised by the international law of the Greeks, that, when a citizen of one state had killed a citizen of another, and the countrymen of the former would not surrender him to the relatives of the deceased, it should be lawful to seize upon three, and not more, of the countrymen of the offender, and keep them as hostages till satisfaction was af forded, or the homicide given up. The trierarchs and the commanders of the ships of war were the persons intrusted with this office. The property which the hostages had with them at the time of seizure was confiscated, under the name of ouλa or σύλαι.

*ANDROS.Æ'MON (ávôpóσaov), a species of St. John's-wort, but not the Hypericum androsamum of modern botanists. Such, at least, is the opinion of Sibthorp, who refers it to the H. ciliatum, Lam. Stephens and Matthiolus give it the French name of Millepertuis.

ANDROS'ACES (ȧvdpóσakes). Sprengel justly pronounces this the "crux exegetarum!" In his History of Botany he inclines to the opinion of Gonanas, that it is the Madrepora acetabulum, a zoophyte; a most improbable conjecture. But, in his edition of Dioscorides, he prefers the plant named Olivia Androsace, Brestol. The avopóσakes occurs in the Materia Medica of Dioscorides, Galen, Oribasius, and Paulus Ægineta."

ANNALES.

ophrastus the Anethum graveolens; but, according to Stackhouse, the avnbov of Theophrastus is the A. hortense, or Garden Dill.'

ANGOTHEKE (ἀγγοθήκη). (Vid. INCΙΤΕΘΑ.) *ANGUILL'A (eyxεhus), the Murana anguilla, L., or Eel. (Vid. CONGER and MURENA.) Volumes have been written respecting the mode of reproduction on the part of eels. Aristotle believed that they sprang from the mud; Pliny, from fragments which they separated from their bodies by rubbing them against the rocks; others of the ancient writers supposed that they came from the carcasses of animals. The truth is, that eels couple after the manner of serpents; that they form eggs, which, for the most part, disclose in their belly; and that in this case they are viviparous, after the manner of vipers. *ANGUIS (õpis), the Snake. (Vid. ASPIS, DRAco, &c.) ANGUSTICLA VII. (Vid. CLAVUS.)

*ANI'SUM (ǎvicov) the Pimpinella anison, or Anise. It is described by Theophrastus, Dioscorides, Galen, and the other writers on the Materia Medica.

ANNA'LES (i. e., annales libri, year-books) were records of the events of each year, which were kept by the chief pontiff (pontifex maximus) at Rome, from the commencement of the state to the time of the chief pontiff Publius Mucius Scævola (consul in 621 A.Ú.C., 133 B.C.). They were written on a white board (album), which the chief pontiff used to put in some conspicuous place in his house, that the people might have the opportunity of reading them. They were called annales maximi, or annales pontificum maximorum; and the commentarii pontificum mentioned by Livy3 are in all probability the same. These documents appear to have been very meager, recording chiefly eclipses, prodigies, and the state of the markets; but they were the only historical records which the Romans possessed before the time of Fabius Pictor. The greater part of those written before the burning of Rome by the Gauls, perished on that occasion; but some fragments seem to have escaped destruction. This circumstance is a chief cause of the uncertainty of the early history of Rome.7

*ANEMO ́NE (áveμúvn), the Anemone or Windrose. Dioscorides describes three species: the first, which he calls huepos, or cultivated, is, according to Sprengel, the Anemone coronaria; the second kind, denominated dypía, or wild, is the A. stellata; the third kind, with dark leaves, is the A. nemorosa, or Wood Anemone. The cultivated kind was very variable in the colour of its flowers, these being either blue, violet, purple, or white, whereas the wild kind has merely a flower of purple hue. This may serve to explain the discrepance in the poetic legends respecting the origin of the anemone. Ac- In process of time, individuals undertook to write cording to one account, it sprang from the tears portions of the Roman history, in imitation of the shed by Venus for the loss of Adonis when slain pontifical annals. The first of these was Quintus by the wild boar; according to another," from the Fabius Pictor, who lived during the second Punic blood of Adonis himself. The reference may be, in War, and wrote the history of Rome from its foundthe one case, to the white flower of the wind-rose; ation down to his own time. Contemporary with in the other, to that of purple hue. The anemone him was Lucius Cincius Alimentus, whose annals has its name from the Greek term aveμoç, "wind." embraced the same period.10 Dionysius states that The cause of this name's having been given is dif- both Fabius and Cincius wrote in Greek; but it ferently stated. Pliny says that the flower was so would seem that Fabius wrote in Latin also.1t styled, because it never opens except when the wind Marcius Porcius Cato, consul in 559 A.U.C., and blows; Hesychius, because its leaves are quickly afterward censor, wrote an historical work in scattered by the wind. The best explanation, how-seven books, which was called "Origines." Auever, is the following: the blossoms of the anemone lus Postumius Albinus, consul in 603 A.U.C., wrote contain no distinct calyx, and are succeeded by a annals of the Roman history in Greek.13 cluster of grains, each terminated by a long, silky, Calpurnius Piso Frugi, consul in 621 A.U.C., and feathery tail. As the species generally grow on afterward censor, wrote annals. Quintus Valeriopen plains, or in high, exposed situations, their us Antias (about 672 A.U.C.) is frequently cited by feathery grains produce a singular shining appear- Livy, and contemporary with him was Caius Liance when waved by the breeze, and hence, no cinius Macer.15 The Roman annalists were Lucius doubt, the name of the flower has originated, for it Cassius Hemina (A.U.C. 608), Quintus Fabius means, literally, "Wind-flower;" and this is the appellation actually bestowed upon it by the English.-Sibthorp found the anemone on Mount Par-3. (vi., 1.)-4. (Cato in Aul. Gell., ii., 28.)-5. (Cic., de

nassus.

*ANE'THUM (¿vnsov), the herb Anise or Dill. Sprengel makes the abov of Dioscorides and The

1. (Diod. Sic., IV., 60, 61.)-2. (Harpocrat., s. v.-Demosth,, e. Aristocrat., p. 647, 1. 24.)-3. (Vid. Demosth., Tepi To ETEO. Tis Tpinpapxías, p. 1232, 1. 5.)-4. (Dioscor., iii., 163.-Adams, Append., s. v.)-5. (Adams, Append., s. v.)-6. (Bion, Id., i., 66.-7. (Ovid, Met., 10, 735, seqq.)-8. (H. N., 21, 23.)-9. (5. ν. ἀνεμώνη.)

Lucius

1. (Dioscor., iii., 60,-Theophrast., H. P., vii., 1.-Adams, Append., s. v.)-2, (Cic., de Orat., ii., 12.-Id., de Legg., i., 2.)

Legg., 1., 2.)-6. (Liv., i., 6.-Cic., de Rep., i., 16.)-7. (Niebuhr, vol. i., p. 213.)-8. (Cic., de Orat., it., 12.)—9. (Cic., de Legg., i., 2.-Polyb., i, 14; iii., 8, 9.-Dionys., i., 6; vii., 71.Liv., i., 44; ii., 40.)-10. (Dionys., i., 6, 74.-Liv., vii., 3; xxi., 38.)-11. (Cic., de Orat., ii., 12.—Aul. Gell., x., 15.)-12. (Cic., de Orat., ii., 12.-De Legg, i., 2.-Liv., xxxix., 40.-Corn. Nep., Cato, c. 3.)-13. (Gell., xi., 8.-Cic., Brut., c. 21.-Macrob., Sat. Procem., i.; ii., 16.-Plutarch, Cat. Maj., c. 12.) -14. (Cic., de Orat., ii., 12.-Ep. ad Div., ix., 22.-Varro, de Ling. Lat., iv., 42.-Dionys., il., 38; iv., 7.)-15. (Cic,, de Legg.,, 2.-Liv., vi, 9.)

Maximus Servilianus (612), Caius Fannius (618), Caius Sempronius Tuditanus (625), Lucius Caelius Antipater (631), Caius Sempronius Asellio (620), and, about the end of the same century, Publius Rutilius Rufus, Lucius Cornelius Sisenna, and Quintus Claudius Quadrigarius. Farther information concerning these writers will be found in Clinton's Fasti Hellenici, vol. iii.

ANQUISITIO. In criminal trials at Rome, the accuser was obliged, after the day for the trial (diei dictio) had been fixed, to repeat his charge three times against the accused, with the intervention of a day between each. The anquisitio was that part of the charge in which the punishment was specified. The accuser could, during this repetition of the charge, either mitigate or increase the punishment. After the charge had been repeated three times, the proper bill of accusation (rogatio) was then first introduced. (Vid. JUDICIUM.) Under the emperors, the term anquisitio lost its original meaning, and was employed to indicate an accusation in general; in which sense it also occurs even in the times of the Republic."

ANSA, the handle of any thing, more particularly of a cup or drinking-vessel; also, the handle of a rudder, called by us the tiller. Ennius speaks of the ansa or handle of a spear: “Hastis ansatis concurrunt undique telis."7 "Ansatas mittunt e turribus hastas."

The ansa must have been different from the amentum of a spear. Perhaps it was a rest for the hand, fixed to the middle of the shaft, to assist in throwing it. On this supposition, the hasta ansata of Ennius was the same with the peoάykvλov or dópu áуkvλntóv of Greek authors. Euripides calls the same weapons simply ἀγκύλας 10

11

The precise difference between the terms annales and historia is still a matter of discussion. Cicero says that the first historical writers among the Romans composed their works in imitation of the annales maximi, and merely wrote memorials of the times, of men, of places, and of events, without any ornament; and, provided that their meaning was intelligible, thought the only excellence of style was brevity; but that, in history, ornament is studied in the mode of narration, descriptions of countries and battles are often introduced, speeches and harangues are reported, and a flowing style is aimed at. Elsewhere he mentions history as one of the highest kinds of oratory, and as one which was as yet either unknown to, or neglected by, his countrymen.3 Aulus Gellius says that the difference between annals and history is, that the former observe the order of years, narrating under each year all the events that happened during that year. Servius says that history (ἀπὸ τοῦ ἱστορεῖν) relates to events which have happened during the writer's Xenophon, speaking of the large arrows of the life, so that he has, or might have, seen them; but Carduchi, says that his soldiers used them as darts annals to those things which have taken place in ακόντιοις), by fixing the ἀγκύλη upon them (ένα γκυ former times. The true distinction seems to be that λvres).11 ́ ́ Plutarch12 relates that Alexander the which regards the annalist as adhering to the suc- Great, observing one of his soldiers to be attaching cession of time, while the historian regards more the ἀγκύλη to his dart (το ακόντιον ἐναγκυλούμενον), the succession of events; and, moreover, that the obliged him to leave the ranks, for preparing his former relates bare facts in a simple, straightfor-arms at a moment when he ought to have had them ward style, while the latter arranges his materials ready for use. These authorities show that the with the art of an orator, and traces the causes and dykun was something fastened to the dart, about results of the events which he records. (See a the middle of the shaft, before the engagement compaper by Niebuhr in the Rheinisches Museum, ii,menced. That it was crooked, or curved, may be 2, p. 283, translated by Mr. Thirlwall in the Philolo- concluded from the term itself; and, if so, it would gical Museum, vol. ii., p. 661.) agree with the Latin ansa, a handle, though not with ANNO'NA (from annus, like pomona from po-amentum, which was a leather thong fastened to mum) is used, 1. for the produce of the year in the same part of the lance. (Vid. AMENTUM.) corn, fruit, wine, &c., and hence, 2. for provisions in general, especially for the corn which, in the latter years of the Republic, was collected in the storehouses of the state, and sold to the poor at a cheap rate in times of scarcity; and which, under the emperors, was distributed to the people gratuitously, or given as pay and rewards. 3. For the price of provisions. 4. For a soldier's allowance of provisions for a certain time. It is used also in the plural for yearly or monthly distributions of pay in corn, &c. Similar distributions in money were called annona araria. In the plural it also signifies provisions given as the wages of labour.

Annona was anciently worshipped as the goddess who prospered the year's increase. She was represented on an altar in the Capitol, with the inscription "Annona Sanctæ Ælius Vitalio," &c., as a female with the right arm and shoulder bare, and the rest of the body clothed, holding ears of corn in her right hand, and the cornucopia in her left. ANNA'LIS LEX. (Vid. EDILES, p. 25.) AN'NULI. (Vid. RINGS.) AN'NUS. (Vid. YEAR.) *ANO'NIS (¿vwvis), a plant. Stephens says its popular name is Resta bovis, i. e., Rest-harrow. Modern botanists have accordingly given the name of Anonis antiquorum to the Rest-harrow of English herbalists. The popular name is derived from the circumstance of this plant's stopping the plough, or harrow, in its progress, by its stringy roots.

1. (De Orat., ii., 12.)-2. (Orator., c. 20.)-3. (De Legg., i., 2.) 4. (v., 18.)-5. (in En., i., 373.)-6. (Cod. Just., i., tit. 48; I., tit. 16; xi., tit. 24.)-7. (Cod. Theodos., vii., tit. 4, s. 34, 35, 36.)-8. (Salmas. in Lamprid., Alex. Sev., c. 41.)-9. (Gruser, p. 8, n. 10.)-10. (Dioscor., iii., 17.-Adams, Append., s. v.)

*ANSER (x), the Goose. Aristotle briefly describes two species, the Great and the Small gregarious goose.13 The latter, no doubt, is the Brent Goose, or Anas Bernicula. The other cannot be satisfactorily determined; but it is not unlikely that it was the Anas anser. Dr. Trail, however, is inclined rather to think that it was the Anas Egyptiaca, or Sacred Goose of Egypt."

ANTE (napaorudes), square pillars (quadra columna, Nonius). They were commonly joined to the side walls of a building, being placed on each side of the door, so as to assist in forming the portico. These terms are seldom found except in the plural, because the purpose served by antæ required that, in general, two should be erected corresponding to each other, and supporting the extremities of the same roof. Their position, form, and use will be best understood from the following woodcut, in which A A are the antæ.

Vitruvius15 describes the temple in antis (vaòç ¿v Tараσтáo) to be one of the simplest kind. It had, as he says, in front, antæ attached to the walls which enclosed the cella; and in the middle, between the antæ, two columns supporting the architrave. According to him,16 the antæ ought to be of the same thickness as the columns. The three spaces (intercolumnia) into which the front of the

1. (Cic., pro. Dom., c. 17.)-2. (Liv., 11., 52.)-3. (Liv., xxvi., 3.)-4. (Tacit., Ann., iii., 12.)-5. (Liv., vi., 20; viii., 33.)-6. (Vitruv., X., 8.)-7. (Ap. Macroo., Saturn., vi., 1.)-8. (Ap. Nonium.)-9. (Athenæus, xi.-Eurip., Phon., 1148.-Androm., 1133.-Schol. in loc.-Menander, p. 210, ed. Meineke.-Gell., x., 25.-Festus, s. v. Mefancilium.)-10. (Orest., 1477.)-11. (Anab., iv., 2, ◊ 28.)-12. (Apophth.)-13. (Aristot., H. A., viii., 5.)-14. (Adams, Append., s. v.)-15. (iii., 1.)—16. (iv., 4.)

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When Neoptolemus is attacked by Orestes in the vestibule of the temple at Delphi, he seizes the arms which were suspended by means of nails or pins from one of the antæ (παραστάδας κρεμαστά), takes his station upon the altar, and addresses the people in his own defence. In two other passages, Euripides uses the term by metonymy, to denote either the pronaos of a temple or the vestibule of a palace; ie., in each case the portico, or space enclosed between the antæ.

From parastas came the adjective parastaticus, and hence we find parastatica employed as the term for a pilaster, which may be considered as the section of a square pillar attached to the wall of a building. The beams of a ceiling were laid upon three kinds of supports, viz., columns, antæ, and parastaticæ or pilasters.

*ANTACÆUS (ávrákaιoç), a variety of the Acipenser Huso, or Isinglass Fish. This would appear to be the fish of whose name a poet in Athenæus complains that it was inadmissible into heroic

verse.*

ANTEAMBULONES were slaves who were accustomed to go before their masters, in order to make way for them through the crowd. They usually called out date locum domino meo; and if this were not sufficient to clear the way, they used their hands and elbows for that purpose. Pliny relates an amusing tale of an individual who was roughly

ANTEFIXA.

handled by a Roman knight, because his slave had presumed to touch the latter in order to make way for his master. The term anteambulones was also given to the clients, who were accustomed to walk before their patroni when the latter appeared in public.2

ANTECESSORES, called also ANTECURSOʻRES, were horse-soldiers, who were accustomed to precede an army on march in order to choose a suitable place for the camp, and to make the necessary provisions for the army. They do not appear to have been merely scouts, like the speculatores. This name was also given to the teachers of the Roman law.*

ANTECENA. (Vid. CENA.)

ANTEFIXA, terra-cottas, which exhibited various ornamental designs, and were used in architecture to cover the frieze (zophorus) of the entablature.

These terra-cottas do not appear to have been used among the Greeks, but were probably Etrurian in their origin, and were thence taken for the decoration of Roman buildings. Festus describes them in the following terms: Antefixa quæ ex opere figulino tectis adfiguntur sub stillicidio.

The name antefixa is evidently derived from the circumstance that they were fixed before the buildings which they adorned; and the manner of fixing them, at least in many cases, appears from the remains of them still existing. At Scrofano, supposed to be the ancient Veii, they were found fastened to the frieze with leaden nails. At Velletri, formerly a city of the Volsci, they were discovered (see the following woodcut) with holes for the nails to pass through. They were formed in moulds, and then baked by fire, so that the number of them might be increased to any extent; and copies of the same design were no doubt frequently repeated on the same frieze. Of the great variety and exquisite beauty of the workmanship, the reader may best form an idea by inspecting the collection of them in the British Museum, or by studying the engravings and description of that collection published by Dr. Taylor

Combe.

The two imperfect antefixa here represented are among those found at Velletri, and described by Carloni (Roma, 1785).

The first of them must have formed part of the upper border of the frieze, or, rather, of the cornice. It contains a panther's head, designed to serve as a spout for the rain-water to pass through in descending from the roof. Similar antefixa, but with comic masks instead of animals' heads, adorned the Temple of Isis at Pompeii."

The second of the above specimens represents two men who have a dispute, and who come before the sceptre-bearing kings or judges to have their cause decided. The style of this bas-relief indicates its high antiquity, and, at the same time,

1. (Eurip., Androm, 1098.)-2. (Iph. in Taur., 1126.)-3. (Phon., 427.)-4. (Vid. Cratini, Fragin., ed. Runkel, p. 16.Xea, Hier., xi.-Schneider, Gr.-Deutsch. Handwörterbuch.- 1. (Ep. iii., 14, sub fin.)-2. (Martial, ii., 18; iii., 7; x., 74.) 1. Epum, in Xen., Mem., p. 277.-Id., in Vitruv., vi., 7, 1.)-5.-3. (Hirt., Bell. Afr., 12, who speaks of speculatores et ante(Vitrov, iv, 2, p. 94; v., i., p. 116, 117, ed. Schneider.-Plin., cessores equites.-Suet., Vitell., 17.-Cres., B. G., v., 47.)-4. 15.-6. (Athenæus, vii., p. 284, e.-Schweigh. in loc.; (Cod. 1, tit. 17, s. 2, ◊ 9, 11.)-5. (Pompeii, Lond., 1836, vol. i., Elna, N. A-, xiv, 23.)—7. (Suut., Vesp., c. 2.) p. 281.)

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proves that the Volsci had attained to considerable | hung from the horns of the antenna, the use of which taste in their architecture. Their antefixa are re- was to turn it round as the wind veered, so as to markable for being painted: the ground of that here keep the sail opposite to the wind. This operation represented is blue; the hair of the six men is black is technically described by Virgil in the following or brown; their flesh red; their garments white, yel- line: "Cornua velatarum obvertimus antennarum.' low, and red: the chairs are white. The two holes And more poetically where he uses brachia for anmay be observed by which this slab was fixed upon tenna, and adds, "Una ardua torquent Cornua, dethe building. torquentque."

991

When a storm arose, or when the port was attained, it was usual to lower the antenna (demittere, kabéheobaι, voievaι), and to reef the sail: "Ardua jamdudum demittite cornua, rector Clamat, et antennis totum subnectite velum."

Also before an engagement the antenna was lowered to the middle of the mast (Antennis ad medium malum demissis.) We may observe that the two last-cited authors use antenna in the plural for the yard of a single ship, probably because they considered it as consisting of two arms united in the middle.

From numerous representations of ships on antique coins, intaglios, lamps, and bas-reliefs, we here select two gems, both of which show the velata antenna, but with the sail reefed in the one, and in the other expanded and swollen with the wind.

construction of the ship Argo. The man with the hammer and chisel is Argus, who built the vessel under her direction. The pilot Tiphys is assisted by her in attaching the sail to the yard. The borders at the top and bottom are in the Greek style, and are extremely elegant. Another specimen of the antefixa is given under the article ANTYX.

ANTENNA (Kepaía, Képaç), the yard of a ship. The ships of the ancients had a single mast in the middle, and a square sail, to raise and support which a tranverse pole or yard was extended across the mast not far from the top. In winter the yard was let down, and lodged in the vessel or taken on shore. "Effugit hybernas demissa antenna procellas."

When, therefore, the time for leaving the port arrived, it was necessary to elevate the yard, to which the sail was previously attached. For this purpose a wooden hoop was made to slide up and down the mast, as we see it represented in an antique lamp, made in the form of a ship. To the two extremities of the yard (cornua, akpoképalai) ropes were attached, which passed over the top of the mast; and by means of these ropes, and the pulleys (trochlea) connected with them, the yard and sail, guided by the hoop, were hoisted to a sufficient height. The sail was then unfurled, and allowed to fall to the deck of the vessel.*

Cæsar informs us that, in order to destroy the fleet of the Veneti, his soldiers made use of sharp sickles fastened to long poles. With these they cut the ropes (funes) by which the yard of each ship was suspended from the mast. The consequence was, that the yard, with the sail upon it, immediately fell, and the ship became unmanageable. These ropes appear to have been called in Greek Kepouxo, whence in Latin summi ceruchi.

Besides the ropes already mentioned, two others

The former represents Ulysses tied to the mast, in order to effect his escape from the Sirens; it shows the cornua at the extremities of the yard, and the two ceruchi proceeding from thence to the top of the mast. Besides these particulars, the other gem represents also the ropes used for turning the antenna so as to face the wind.

ANTEPAGMENTA, doorposts, the jambs of a

The inscription quoted in the article ANTE contains also a direction to make jambs of silver fir (antepagmenta abiegna). Cato, speaking of the construction of a farmhouse, mentions stone lintels and jambs (jugumenta et antepagmenta ex lapide). Vitruvius gives minute instructions respecting the form and proportions of the antepagmenta in the doors of temples; and these are found, in general, to correspond with the examples preserved among the remains of Grecian architecture. The common term for a doorpost is postis.

ANTESIGNA NI appear to have been a body of troops, selected for the defence of the standard (signum), before which they were stationed." ANTESTA RI. (Vid. ACTIO, p. 18.)

*ANTH'EMIS (&v@euis), a species of plant. (Vid. CHAMAIMELON.)

*ANTHEMUM (av@epov, -os, or -Lov), a species of plant, about which some uncertainty prevails. Adams is in favour of its being the genus Matricaria, or Wild Chamomile. Sprengel, however, refers the several species of this plant noticed by Theophrastus to the Anthemis Cotta. Stackhouse also is very unsatisfactory in his views on this subject.'

*ANTHERICUS (avoépikos), a plant. Sprengel, in the first edition of his R. H. H., compares the Anthericus Græcus with it, but in his second the Asphodelus fistulosus. Thiebault makes it to be the Ornithogalum Pyrenaicum, and Stackhouse the Aspho

1. (En., iii., 549.)-2. (n., v., 829, seqq.)-3. (Ovid, Met., xi., 483.)-4, (Hirt., De Bell. Alex., 45.)-5, (De Re Rust., xiv.)-6. (iv., 6.)-7. (Vid, Hirt, Baukunst nach den Grundsätzen der Alten, xvi.)-8, (Liv., iv., 37.-Cæs., Bell. Civ., iii., 75, 84.)-9. (Theophrast,, H. P., i., 22; vii,, 9-14.-Adams, Ap pond., s. v.)

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