The universal anthology, a collection of the best literature, with biographical and explanatory notes, ed. by R. Garnett, L. Vallée, A. Brandl. Imperial ed, Volume 19 |
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Page xli
Théophile Gautier perceived all this , instinctively , and if the issue had been in his hands , the Romantic School would at once have turned to the impersonal phase of art . The description of places , the picturesque presentment of ...
Théophile Gautier perceived all this , instinctively , and if the issue had been in his hands , the Romantic School would at once have turned to the impersonal phase of art . The description of places , the picturesque presentment of ...
Page xliii
Lamartine escaped from himself , raised himself above the level of his own personality , as he turned to the heights , ad augusta ; Victor Hugo leaves his own person in order to search in mystery itself , per augusta , the explanation ...
Lamartine escaped from himself , raised himself above the level of his own personality , as he turned to the heights , ad augusta ; Victor Hugo leaves his own person in order to search in mystery itself , per augusta , the explanation ...
Page xliv
Impelled by circumstances , yet always in accordance with the direction of his own talent , Vigny followed the same general trend as Lamartine and Victor Hugo , turning from personal poetry to objective and philosophical poetry .
Impelled by circumstances , yet always in accordance with the direction of his own talent , Vigny followed the same general trend as Lamartine and Victor Hugo , turning from personal poetry to objective and philosophical poetry .
Page xlvi
At the same time , however , he turned back to the Greek and Latin antiques , to the very source of classicism . He looked to André Chénier for inspiration , he sang the Vénus de Milo , the Triomphe de Bacchus , or the Jugement de Paris ...
At the same time , however , he turned back to the Greek and Latin antiques , to the very source of classicism . He looked to André Chénier for inspiration , he sang the Vénus de Milo , the Triomphe de Bacchus , or the Jugement de Paris ...
Page 91
In short , you must not attempt to enlarge your ideas , or polish your taste , or refine your sentiments ; but must keep on in one beaten track , without turning aside either to the right hand or to the left .
In short , you must not attempt to enlarge your ideas , or polish your taste , or refine your sentiments ; but must keep on in one beaten track , without turning aside either to the right hand or to the left .
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Popular passages
Page 61 - And again, he adviseth to circumspection and care, even in the smallest matters, because sometimes, a little neglect may breed great mischief; adding, for want of a nail the shoe was lost; for want of a shoe the horse was lost; and for want of a horse the rider was lost, being overtaken and slain by the enemy; all for want of care about a horse-shoe nail.
Page 273 - And all the world would stare, If wife should dine at Edmonton, And I should dine at Ware." So turning to his horse, he said, " I am in haste to dine ; 'Twas for your pleasure you came here, You shall go back for mine.
Page 274 - Stop thief ! stop thief ! — a highwayman ! Not one of them was mute ; And all and each that passed that way Did join in the pursuit. And now the turnpike gates again Flew open in short space ; The toll-men thinking as before, That Gilpin rode a race.
Page 335 - After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent.
Page 272 - My hat and wig will soon be here, — They are upon the road." The calender, right glad to find His friend in merry pin...
Page 57 - I therefore filled all the little spaces that occurred between the remarkable days in the calendar with proverbial sentences, chiefly such as inculcated industry and frugality, as the means of procuring wealth, and thereby securing virtue ; it being more difficult for a man in want to act always honestly, as, to use here one of those proverbs, it is hard for an empty sack to stand upright.
Page 96 - Life! I know not what thou art, But know that thou and I must part; And when, or how, or where we met, I own to me's a secret yet...
Page 96 - Life ! we've been long together Through pleasant and through cloudy weather; 'Tis hard. to part when friends are dear — Perhaps 'twill cost a sigh, a tear; — Then steal away, give little warning, Choose thine own time; Say not Good Night, — but in some brighter clime Bid me Good Morning.
Page 271 - Until he came unto the Wash Of Edmonton so gay; And there he threw the Wash about On both sides of the way, Just like unto a trundling mop, Or a wild goose at play. At Edmonton his loving wife From the balcony spied Her tender husband, wondering much To see how he did ride. "Stop, stop, John Gilpin!— Here's the house !" They all at once did cry; "The dinner waits, and we are tired;"— Said Gilpin, "So am I!
Page 270 - His horse, who never in that sort Had handled been before, What thing upon his back had got Did wonder more and more. Away went Gilpin, neck or nought ; Away went hat and wig ! He little dreamt, when he set out, Of running such a rig.
Bibliographic information
| Title | The universal anthology, a collection of the best literature, with biographical and explanatory notes, ed. by R. Garnett, L. Vallée, A. Brandl. Imperial ed, Volume 19 The universal anthology, a collection of the best literature, with biographical and explanatory notes, ed. by R. Garnett, L. Vallée, A. Brandl. Imperial ed, Richard Garnett |
| Editor | Richard Garnett |
| Published | 1899 |
| Original from | Oxford University |
| Digitized | 21 Dec 2007 |
| Export Citation | BiBTeX EndNote RefMan |