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" ... underneath them filling its marble hollow with blue mist and fitful sound, and over all — the multitudinous bars of amber and rose, the sacred clouds that have no darkness, and only exist to illumine, were seen in fathomless intervals between the... "
Modern Painters - Page 154
by John Ruskin - 1857
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Blackwood's Edinburgh Magazine, Volume 54

1843 - 1380 pages
...illumine, were seen in fathomless intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last, white, blinding lustre...where the Campagna melted into the blaze of the sea." In verity, this is no " Campana Supellex." It is a riddle ! Is he going up or down hill—- or both...
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The Gentleman's Magazine, Volumes 174-175

1843 - 750 pages
...were seen in fathomless intervals, between the solemn and orbed repose of the stone pines, passing to lose themselves in the last, white, blinding lustre...where the Campagna melted into the blaze of the sea." right of ' La Riccia ' in the National Gallery is a painting of a carrot or a parsnip, not of the trunk...
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The Church of England quarterly review, Volume 15

1844 - 532 pages
...illumine, were seen in fathomless intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last white blinding lustre...sea. Tell me who is likest this, Poussin or Turner?" (pp. 116-118). The ancient landscape painter, it is clear, has no chance with our author. We had hoped,...
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The Wheat-sheaf; Or, Gleanings for the Wayside and Fireside ...

1853 - 442 pages
...to illumine, were seen in intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last, white, blinding lustre...where the Campagna melted into the blaze of the sea." ***** Are not all natural things, it may be asked, as lovely near as far away ' By no means. Look at...
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The Wheat-sheaf, a Suggestive Reader: Containing Germs of Pure and Noble ...

Elizabeth Nicholson - 1853 - 412 pages
...to illumine, were seen in intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last, white, blinding lustre...where the Campagna melted into the blaze of the sea." ***** Are not all natural things, it may be asked, as lovely near as far away f By no means. Look at...
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The Church of England quarterly review

1855 - 528 pages
...illumine, were seen in fathomless intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last, white, blinding lustre...where the campagna melted into the blaze of the sea." BEAUTY NOT SUBJECTIVE. 381 How infinitely greater would be our pleasure in looking abroad upon the...
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Beautiful poetry, selected by the ed. of The Critic

Beautiful poetry - 1857 - 418 pages
...illumine, were seen in fathomless intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last, white, blinding lustre...where the Campagna melted into the blaze of the sea. EVENING GUESTS. From an old number of Chamberjs Edinburgh Journal, where it appears anonymously. IP...
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The True and the Beautiful in Nature, Art, Morals, and Religion: Selected ...

John Ruskin, Louisa Caroline Tuthill - 1859 - 504 pages
...illumine, were seen in fathomless intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last white blinding lustre...where the Campagna melted into the blaze of the sea. The woods and waters which were peop>d by the Greek with typical life were not different from those...
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The North-western Monthly: A Magazine Devoted to University ..., Volume 8

1897 - 678 pages
...illumine, were seen in fathomless intervals between the solemn aud orbed repose of the stone pines, passing to lose themselves in the last, white blinding lustre...where the Campagna melted into the blaze of the sea.'' MAKY WOOD-ALLEN, 11. D. ROSE M. WOOD-ALLEN. Heredity HE two factors which produce human character and...
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Repetition and reading book, selections by C. Bilton

Charles Bilton - 1866 - 264 pages
...were seen in fathomless intervals, between the solemn and orbed repose of the stone pines, passing to lose themselves in the last white blinding lustre...where the Campagna melted into the blaze of the sea. THE SLAVE-SHIP. I THINK the noblest sea that Turner has ever painted, and, if so, the noblest certainly...
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