Page images
PDF
EPUB
[blocks in formation]
[blocks in formation]
[blocks in formation]

Embellished with a View of the GROTTO DELLA REGINA, near Tuscania.

MINOR CORRESPONDENCE.

"A very ancient Native of Faversham" has favoured us with the information that the late Bishop of Peterborough was born, not at London, but at Faversham, being the son of the Rev. Richard Marsh, A.M. who, at the time of the Bishop's birth, and many years before and after, was the resident vicar of that place; and on searching the parish register of Baptisms, the following entry has been found :

"1757. Jan. 3, Herbert, son of Richard Marsh, A. M. Vicar, and Elizabeth, his wife, was born Dec. 10." - N.B. The date Jan. 1757 is old style for 1757-8.

L. P. J. suggests that, in page 200 of last month's Magazine, "the last descendant of this honourable name (Harvey) was the late Sir Eliab Harvey, an Admiral, and Member for Essex," should be "the last male descendant," as Sir Eliab Harvey, the Captain of the Temeraire at Trafalgar, left several daughters, one of whom is married to Mr. Bramston, Member for one of the divisions of Essex (see the Admiral's memoir in the Gentleman's Magazine for 1830, Part i. p. 366.)

In answer to an inquiry (p. 218) for the origin and meaning of the word Martinet, CYDWELI remarks, that the term originated, as will appear by the following extract, with an officer in the army of Louis XIV.: " A discipline, which has become still stricter, had introduced a new order into the army. There were then no inspectors of cavalry and infantry, such as we have since seen, but two men, each unique in his way, performed those functions. MARTINET then placed the infantry on the same footing of discipline as exists at this day. The Chevalier De Fourilles did the same for the cavalry. A year before, Martinet had introduced the use of the bayonet into some of the regiments. Hitherto it had not been in constant and uniform use. This, perhaps the last effort of the most fearful inventions of military art, was known, but little employed, because pikes were most in use. He had also designed pontoons of copper, which were easily carried in carts." -Voltaire, Age of Louis XIV. ch. xi. Such, there can be no doubt, is the origin of the word, especially when we consider that it is a military term. The name of Martinet, however, occurs in literary as well as in martial strictness. An advocate at the Parliament of Paris, in the reign of Louis XIII. was distinguished by his pleadings, " in which there are found a judgment and a purity of taste which were rare at that period among persons of his profession."-Beau

vais, Dictionnaire Historique, art. Martinet, where the former person is not mentioned.

Mr. HALLIWELL would feel obliged for any information relative to local nursery rhymes, or for any versions of the common ones different from the generally received texts. He has in preparation a work to be entitled "Nursery Rhymes and Nursery Stories; their nature and history."

H. P. would be much obliged to any of our correspondents who could give him information respecting the Yorkshire family of Medhope or Midhope, one of whom, Edmund Medhope, Clerk of the House of Commons in Ireland, married

Elizabeth, fifth daughter of Sir John

Philipps, Bart., of Picton Castle, county Pembroke. According to the Philipps' pedigree in the Heralds' College, the lady was living in 1628, but the date of her marriage, which the writer wishes to ascertain, is not known. Her husband is designated as of Thona in King's County.

AUCTOR remarks: "We are told in Ritson's Bibliograph. Poetica,' that a metrical version of the 13th Psalm by Queen Elizabeth, was published in a work by Bale; could any of your readers inform me where or how I could obtain a sight of the work in question, or whether her Majesty's version of the Psalm is to be met with in any other book?"

It was a saying of Arthur, Lord Capel, the celebrated Royalist, that "a gentle acceptance of courtesies is as material to maintain friendly neighbourhood as bountiful presents."

Pennant derives the phrase, to bear the bell, from the custom of giving a bell as the prize at running-matches. A little golden bell was given at York, as the reward of victory, in 1607.-Pennant's Tours in Wales, vol. i. p. 257, edit. 1810.

Are not Milton's celebrated lines,

"Fame is the spur that the clear spirit doth
raise,
(That last infirmity of noble minds,)"
taken from Tacitus? He says, Etiam sa-
pientibus, cupido gloriæ novissima exui-
tur.

ERRATA.

P. 208, for Penrill, read Pendrill. P. 209, for Whatley, read Whalley. P. 288, for Henry Melville, A.M. read the Rev. Henry Melvill, B.D.; 1. 44, for form, read force; col. 2, 1. 21, for Preparation, read Proportion. P. 305, b. 15, for co. Sligo, read co. Kerry; line 54, read Henslowe.

GENTLEMAN'S MAGAZINE.

The Life of Edward Gibbon, Esq. with Selections from his Correspondence, and Illustrations, by the Rev. Η. Η. Milman. 8vo. 1839.

HAD Mr. Milman assumed the office of the Biographer of Gibbon, he would doubtless have given a life of that eminent writer which would have been the result of deep research and various inquiry, which would have been distinguished at once for the acuteness of its criticism, the soundness of its philosophy, and the correctness and elegance of its style: but he has preferred the humbler task of re-editing the Memoirs which Gibbon composed; occasionally illustrating them from his own stores of reading; correcting what was erroneous, and supplying such additional information as has been collected subsequently to the time when the Historian drew his pleasing and animated portrait of himself. We think that Mr. Milman's decision was altogether sound and just. For Gibbon's narrative is composed throughout with great skill in the selection and arrangement of his topics, and with an elaborate and finished elegance in the composition. No doubt he views the mental portrait of himself which he has sketched, in the flattering mirror of self-vanity; and he speaks of his own projects, his pursuits, and his attainments with a satisfied complacency * that may provoke a smile; yet in this self-love and admira

* As when (v. p. 95) he says, " he made himself complete master of the French and Latin languages." At p. 37, his "verbosity" is somewhat longer than his " argument." "As soon as the use of speech had prepared my infant reason for the admission of knowledge, I was taught the arts of reading, writing, and arithmetic: so remote is the date, so vague is the memory of their origin in myself, that, were not the error corrected by analogy, I should be tempted to conceive them as innate." Whatever may have been Mr. Gibbon's acquaintance with the language of the people whose history he wrote, we are indebted to him for a very elegant and probable emendation of a passage in a Roman poet (Lucan)

Tingit solennia campi
Et non admissæ diribet suffragia plebis.

The common editions read "dirimit." "Diribere" was a word peculiar to the Comitia, and signifies to poll the votes in the regular divisions. With regard to the passage in Virgil's Georgics, lib. iv. v. 287, on which Gibbon has written a very ingenious dissertation, it is evidently corrupt, and the verses probably transposed; perhaps some interpolated. Well may the critic exclaim-" Ce passage a bien couté des veilles aux scavans!" Heyne calls it " locus vexatissimus;" but Gibbon's supposition that the Parthians were alluded to under the words "Vicinia Persidis" was anticipated by Burman, and afterwards by Heyne. Mr. Gibbon's modesty may incline him to say of his historical researches, "that he doubts whether he has carried the torch of criticism and philosophy into the darkness of history;" but we may receive with confidence the assertion of one of the most accurate and enlightened of modern scholars, and one who was peculiarly competent to estimate Mr. Gibbon's qualifications with exactness. "I have sometimes (says Dr. Vincent) by way of amusement traced Mr. Gibbon through his authorities in several detached portions of his History, and on every subject but one I have found the extent of his acquisitions, the adjustment of his evidences, the accuracy of his deductions, and the comprehensive view of his subject, such as to place him in the very first rank of historians."-V. Misc. Works, v. iii. p. 505.

tion all is well dressed, and has an air of gentlemanly good breeding; while his enthusiasm in his literary enterprises quite captivates the mind of the reader, and seems to inspire him with a kindred emulation. Compared with such a narrative, fresh with life and motion and truth, animated by the author's own feelings, and sketched by his own pencil, the ablest composition of another writer would appear devoid of interest. Gibbon, indeed, left little or nothing untold which another person could venture to supply: his autobiography is both personal and literary: it is copious enough in its outline, and minute enough in its details, to satisfy the most ardent curiosity; he is seen both in his library and at his table; alone and in society; in his days of boyhood and in his declining life; and if he has held a reserved and becoming silence on one subject, it is, as he justly observes, because a person's pecuniary affairs can be seldom imparted to the world without exciting feelings either of envy or contempt. He has left his readers to believe that his life was passed, if not in affluence, yet in the easy enjoyment of every reasonable desire: and he wisely shut the door of his cabinet against any more private or inquisitive research. But on no other part of his life or history is a similar restriction imposed -patet omnis tabula vitæ-we observe no signs of concealment or disengenuousness in any part; and if he speak of himself in a more sustained and high-toned style than the modesty of authors would allow; yet he never attempts to elevate himself by the unjust degradation of his adversaries; he measures his own strength and theirs, and he feels the respect which he pays to them, reflects an additional dignity and value on himself. "Liberè de eruditis loqui et judicare, si cum hac re conjunctus est summus amor veritatis, est res præclara et magni facienda; at sine veritatis amore, est effrenata turpisque licentia et petulentia." We shall now add a few observations to the narrative, which Mr. Milman has enriched with his notes; not with the foolish ambition of a rival, but rather to shew our respect for his labours, and the interest which we feel in his admirably arranged and executed work.

P. 7. Thuanus de vita sua. This interesting autobiography was translated into French, and the work enriched with portraits. See Jugleri Bibl. Histor. Lit. tom. ii. p. 1398. Niceron, Vies des Hommes Illustres, p. x. p. m. 207, says that P. Puteanus and Rigaltius composed this work. It contains much curious literary history as well as political. It speaks, at p. 106, of the great picture now in our National Gallery (the Resurrection of Lazarus), as altogether designed by Mich. Angelo, and only painted by Seb. del Piombo :-" Le dessein est de M. Ange." From p. 208 (ed. 1713) Goldsmith borrowed his story of the Bishop of Mande and his singular Purveyor of Game, which he has told in his Animated Nature.

P. 8. On Jortin's Life of Erasmus consult Coleridge's Friend, vol. i. p. 226; and H. Walpole's Letters to Lord Hertford, p. 250-252. Jortin's materials were too scanty and imperfect; -Burigny's volumes may be read with advantage; -but for the literary history of Erasmus the scholar should consult Heumanni Conspectus Reipub. Lit. t. ii. p. 278, and Dissertatio J. A. Fabricii, 1717. Milton, in his well-known system of education, seems to have been anticipated by Erasmus. See Vie par Burigny, vol. i. p. 580.

P. 9. For a curious anecdote on Cibber's Provoked Husband see Miss Hawkins's Memoirs, vol. ii. p. 303; on the Careless Husband see Armstrong's Miscellanies, vol. ii. p 246. The Memoirs of Grub-street, vol i. p. 239, and vol. ii. p. 63, should not be overlooked. On the Double Gallant see a letter from Booth in Pope's Letters to Aaron Hill, p. 80, ed. 1751, 12mo. A play by Cibber called the Rival Queans, with the Humours of Alexander the Great, a comical tragedy, Dublin, 1729, 8vo. is of the greatest rarity, it was unknown to Reid and Jones, and is in no collection of Cibber's works.

P. 9. "That most amusing of autobiographers, the Italian artist." It may not perhaps be uninteresting if we mention where a few works by this eminent artist are to be found. There is a silver bell at Strawberry Hill, and Lord Besborough has a bust of Demosthenes by him. See Dallaway on the Arts, p. 392. See also the print of Cleopatra in B. Hollis's Life, vol. ii. 4to. A basso-relievo over the door in the Salon des Fleuves, in the Louvre at Paris, is said to be by Cellini, and a copy of the Laocoon at Florence. See D'Uklanski's Travels in Italy, vol. i. p. 74. Lady Morgan says (Italy, vol. i. p. 113, Milan), "saw in the apartments of Signor Morosi a vase and stand of the richest workmanship by Cellini, reported to be the identical bacino e boccaletto of which he speaks with such delight in his life: they are of silver gilt." Templeman in his Curious Remarks, vol. ii. p. 376, has a curious extract from Cellini on carbuncles; and he mentions the advantageous manner in which Mr. Boyle speaks of Cellini. A silver tazza by this great artist is in the British Museum. In the Cabinet of Drawings at Munich is an original drawing by Cellini, presented to the Academy of Painting at Florence for their seal, with the explanation in his own writing. Consult Vasari in his Life of the sculptor Fra Giov. Agnolo Montorsoli on this subject. The late artist M. S. P. Loutherbourg possessed a curious sword, on the hilt of which a battle-piece was exquisitely sculptured in alto relievo by Cellini, and we have seen the superb helmet made for Francis the First, designed by his favourite artist Leonardi da Vinci, and executed by Cellini. Consult Walpole's Anecdotes of Painting, p. 86, 4to.; Walpoliana, vol. i. p. 116; Britton's Arch. Antiq. vol. ii. p. 22; Forbes's Life of Beattie, vol. ii. p. 176. Nugent's translation of Cellini's Life was reviewed by Dr. Johnson: see his works, vol. ii. p. 194, ed. Murphy.

P. 10. Mr. Milman has hardly done justice to the very entertaining and elegant autobiography of Huetius, which contains much interesting information of the scholars of the time, as Salmasius, T. Faber, Menage, &c. The expression in the title-page (Huetius de Rebus ad eum pertinentibus), has been remarked and blamed, but perhaps unjustly, for the work was posthumous, and was edited by Sallengre. See Hist. Critique des Journaux, vol. ii. p. 153. See on the work Jugleri Bibl. Hist. Lit. vol. ii. p. 1398, and Reimani Catal. Bibliothecæ Suæ, t. i. pp. 179-265; add Quarterly Review, No. vii. p. 103. There was not long since discovered at Caen a collection of manuscripts of Huet, containing a large correspondence with the most celebrated characters of the age of Louis XIV. Bossuet, Fenelon, Mad. Dacier, Christine, &c. and some Latin letters of his pupil the Dauphin.

P. 11. Life of Whiston. As the propriety of the marriage of Bishops has been lately canvassed and questioned, we are reminded of a curious passage in these odd Memoirs, vol. ii. p. 540. " I will venture to say that Bishop Hoadly and Bishop Hare seem to have been among the first pretending to be Christian bishops, that, having children already, and being in years, have married twice, and ventured to officiate as a Christian bishop afterwards; and I verily believe that Bishop Burnet and Bishop Gooch are among the first that ever did so after they had married thrice; and Bishop Thomas, of Lincoln, the very first that has so done after he had married four times!! from the days of our Saviour to this day.... This is a piece

« PreviousContinue »