Lo! at the couch where infant beauty sleeps, Her silent watch the mournful mother keeps; She, while the lovely babe unconscious lies, Smiles on her slumbering child with pensive eyes, And weaves a song of melancholy joy Sleep, image of thy father, sleep, my boy: No lingering hour of sorrow shall be thine; No sigh that rends thy father's heart and mine; Bright as his manly sire the son shall be In form and soul; but ah! more blest than he! Thy fame, thy worth, thy filial love, at last, Shall soothe this aching heart for all the past With many a smile my solitude repay, MOTHER-Joy of a. As to her lips she lifts the lovely boy, When rosy sleep comes on with sweet surprise. Watch o'er his slumbers, like the brooding dove, And, if she can, exhaust a mother's love. MOTHER AND HER INFANT. Rogers. There is a sight all hearts beguiling, - MOUNTAINS. With her in mimic war they wrestle; MOTION. MOTIVES-the Result of Weakness. Motives imply weakness, and the reasoning powers imply the existence of evil and temptation. The angelic nature would act from impulse alone. Coleridge. MOUNTAIN-Physical Aspect of the. While winds and streams his lofty forehead Wordsworth. He saw. MOURNING Blessedness of. The light of smiles shall fill again There is a day of sunny rest For every dark and troubled night; Byron. When the great trump shall thrill thee with its warning! Why should this worthless tegument endure, If its undying guest be lost for ever? Oh let us keep the soul embalm'd and pure In living virtue; that, when both must sever, But joy shall come with early light. Bryant. Although corruption may our frame consume, And grief may bide an evening guest, MOURNING-Consolation in. We must all die, All leave ourselves, it matters not where, when, that does so Need lamentation for him? Children weep MUMMY-Address to a. Thou couldst develop, if that wither'd tongue Might tell us what those sightless orbs have seen, How the world look'd when it was fresh and young, Yet she must die, else she'll betray more men. I cannot give it vital life again, Our course will seem too bloody, The muse, by fate's eternal plan, designed MUSIC-Associations of. Once upon a time we knew a school-boy who, if he but chanced on the street to hear an urchin blowing a whistle, or playing on a Paris pipe, would forthwith conjure up Sicily, Theocritus, Mount Ida, and the Muses in a ring; wild thyme and the drowsy hum of Hyblæan bees, Syrinx, and the old mythologies, with many a sweet old pastoral. Then he would hear the little boy piping sweetly under the great plane tree by the fountain of Callirhoë the boy who, when asked where he learnt to play so well, answered with a look of wondering simplicity, that "it piped itself!" He would also listen in reverie to the Genius in the vision of "Mirza," or to the sweet melodies of the Good Genius in "Vathek." He would hear Blake's happy "Songs of Innocence," or the child piping in Sir Phillip Sydney's "Arcadia," as if he would never grow old. Each or all would visit him by turns; for then every sound, present or remembered, had its instant and vivid association. Thus for years he walked, continually surrounded by a bright world of enchantment and delight, sweet sounds and visions haunting him, till at times it became difficult to say whether his waking or sleeping dreams were the more real. That which I have found the best recreation both to my mind and body, whensoever either of them stands in need of it, is music, which exercises at once both my body and soul; especially when I play myself; for then, MUSIC. methinks, the same motion that my hand makes upon the instrument, the instrument makes upon my heart. It calls in my spirits, composes my thoughts, delights my ear, recreates my mind, and so not only fits me for after business, but fills my heart, at the present, with pure and useful thoughts; 80 that when the music sounds the sweetliest in my ears, truth commonly flows the clearest into my mind. And hence it is that I find my soul is become more harmonious, by being accustomed so much to harmony, and so averse to all manners of discord, that the least jarring sounds, either in notes or words, seem very harsh and unpleasant to me. MUSIC-Definition of. Bishop Beveridge. The soul of art best loved when love is by. Brown. MUSIC-Delights of. strings, I seem through consecrated walks to rove, As rich a swell as ever minstrel drew. L. E. Landon. Pope. MUSIC-Discovery of. I'm never merry when I hear sweet music; The reason is your spirits are attentive. Shakspeare. When Jubal struck the chorded shell, MUSIC-Gentle Influence of. His listening brethren throng'd around, And, wondering, on their faces fell To worship that celestial sound; Music, which gentlier on the spirit lies Less than a God, they thought, there could MUSIC-Soothing Influence of. MYSTERY. Is thick inlaid with patines of bright gold; behold'st, But in his motion like an angel sings, Hogg. MUSICIANS-Influence of. Through every pulse the music stole, And kindled rapture in the coldest eye. MUSIC-Raptures of. James Montgomery. Where should this music be, -in the air or the earth? Shakspeare. Can any mortal mixture of earth's mould Milton. MUSIC-Reminiscences inspired by. Mysterious keeper of the key That opes the gates of memory, Oft in thy wildest, simplest strain, The sun-bright hopes of early youth, To the enthusiast's heart thy tone To gloom of sadness thou canst suit MUSIC-of the Spheres. Shakspeare. Such was the bard, whose heavenly strains of old Appeased the fiend of melancholy Saul. Tuned to soft woe, made all the mountains Whose golden touch could soften steel and MUSICIANS-Triumphs of. Hail, bards triumphant! born in happier days, sound, And worlds applaud that must not yet be found. Pope. MYSTERY-Characteristics of. A proper secrecy is the only mystery of able men; mystery is the only secrecy of weak and cunning ones. Chesterfield. |