The universal anthology, a collection of the best literature, with biographical and explanatory notes, ed. by R. Garnett, L. Vallée, A. Brandl. Imperial ed, Volume 23Richard Garnett 1899 |
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Page xviii
... leaving , but he continues working in the same line and with the same methods , and with- out being conscious of it , and without thinking of " breaking any mould , " by the mere force of his own artistic personality , he produces ...
... leaving , but he continues working in the same line and with the same methods , and with- out being conscious of it , and without thinking of " breaking any mould , " by the mere force of his own artistic personality , he produces ...
Page xxi
... leaving the outlines of their work uncertain , they emancipate themselves from the limitations , constituted by their Being , and approximate more to the sublimity and grandeur of the Ideal . It is an optical delusion with which they ...
... leaving the outlines of their work uncertain , they emancipate themselves from the limitations , constituted by their Being , and approximate more to the sublimity and grandeur of the Ideal . It is an optical delusion with which they ...
Page xxxi
... causes profound emotion , and may be regarded as one of the most wonder- ful productions of the genius of this century . Analogous incidents in other novels leave us cold , if they do THE DECADENCE OF MODERN LITERATURE xxxi.
... causes profound emotion , and may be regarded as one of the most wonder- ful productions of the genius of this century . Analogous incidents in other novels leave us cold , if they do THE DECADENCE OF MODERN LITERATURE xxxi.
Page xxxii
Richard Garnett. in other novels leave us cold , if they do not bore us . Artists themselves cannot explain such a mystery ; they feel it , they divine it , and therefore their works are beautiful - that is enough . It is stupid then to ...
Richard Garnett. in other novels leave us cold , if they do not bore us . Artists themselves cannot explain such a mystery ; they feel it , they divine it , and therefore their works are beautiful - that is enough . It is stupid then to ...
Page xxxvi
... leave a deep impression on the mind . In like manner the exquisite harmonies of Wagner and his school delight the ear , but they do not move the soul like the eloquent voice of Beethoven , neither do they make one pass alter- nately ...
... leave a deep impression on the mind . In like manner the exquisite harmonies of Wagner and his school delight the ear , but they do not move the soul like the eloquent voice of Beethoven , neither do they make one pass alter- nately ...
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ain't Akbar Khan Alfred de Musset appeared Artevelde beautiful better blood called captain cried dark dead dear death den Bosch door eyes father feel fire gentleman give Gluck Grutt hair hand head hear heard heart Heidegger honor horse human Ingoldsby Legends Injuns Jackdaw James Grayling Jupiter lady Larry Larry Sweeney Legrand live look ma'am Macnab massa master Medbourne mind moral Musset Nathan nature never Nicholas Nickleby night once Peter Magnus Pickwick poor Ready replied RICHARD HARRIS BARHAM river Lee Rory round savages Seagrave seemed side Smike smile soon soul Sparkman spirit Squeers stick stood sure tell thar's thee there's thing thou thought tion Titmouse tree truth turned voice walked Weller William WINTHROP MACKWORTH PRAED woman women word young youth
Popular passages
Page 91 - THE SEA. The Sea ! the Sea ! the open Sea ! The blue, the fresh, the ever free ! Without a mark, without a bound, It runneth the earth's wide regions 'round ; It plays with the clouds ; it mocks the skies ; Or like a cradled creature lies.
Page 262 - Horror the soul of the plot. But see, amid the mimic rout, A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes! - it writhes! - with mortal pangs The mimes become its food, And the seraphs sob at vermin fangs In human gore imbued.
Page 355 - There warn't no stoves (tell comfort died) To bake ye to a puddin'. The wa'nut logs shot sparkles out Towards the pootiest, bless her, An' leetle flames danced all about The chiny on the dresser.
Page 138 - WITH deep affection And recollection I often think of Those Shandon bells, Whose sounds so wild would, In the days of childhood, Fling round my cradle Their magic spells.
Page 322 - Take heed, that in thy verse Thou dost the tale rehearse, Else dread a dead man's curse; For this I sought thee. "Far in the Northern Land, By the wild Baltic's strand, I, with my childish hand, Tamed the gerfalcon; And, with my skates fast-bound, Skimmed the half-frozen Sound, That the poor, whimpering hound Trembled to walk on.
Page 318 - MAIDEN ! with the meek, brown eyes, In whose orbs a shadow lies Like the dusk in evening skies ! Thou whose locks outshine the sun, Golden tresses, wreathed in one, As the braided streamlets run ! Standing, with reluctant feet. Where the brook and river meet, Womanhood and childhood fleet ! Gazing, with a timid glance.
Page 324 - And as to catch the gale Round veered the flapping sail, Death ! was the helmsman's hail, Death without quarter...
Page 78 - I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill ; but time and chance happeneth to them all.
Page 296 - But this labor concluded, he may have thought it expedient to remove all participants in his secret. Perhaps a couple of blows with a mattock were sufficient, while his coadjutors were busy in the pit; perhaps it required a dozen — who shall tell ? " THE KING OF THE GOLDEN RIVER; OR THE BLACK BROTHERS.
Page 321 - SPEAK. ! speak ! thou fearful guest ! Who, with thy hollow breast Still in rude armor drest, Comest to daunt me ! Wrapt not in Eastern balms, But with thy fleshless palms Stretched, as if asking alms, Why dost thou haunt me...